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Jack Firneno

~ Dad / Writer / Drummer

Jack Firneno

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Free to Learn: Inside the new Bucks County Learning Cooperative’s self-directed learning model

17 Saturday Jun 2017

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This article first appeared in the November 2015 issue of Bucks County Living magazine.

Multicolored leaves cover the lawn outside the plain, 12-room former Quaker schoolhouse building on West Maple Avenue in Langhorne. On a crisp fall Monday morning, six teenagers are clustered around a wooden table upstairs in a small, carpeted room with large windows. They’re watching the 1962 film “Jason and the Argonauts” for their History of Animation class.

Michael Schoengold, a tall boy in a Pink Floyd shirt, sits on the floor in the corner, checking his phone. Eventually he kneels and props up his head on the table to see the screen. Across from him, Leah Hart fidgets to the point where her chair is leaned over and she’s almost sitting on the floor. At the head of the table, Nat Witschi is scrunched up with his feet near the top of the table with a hat slung low over his eyes.

When the movie ends, teacher and mentor Eileen Smyth starts a discussion. How long did it take one student to complete a 30-second stop-motion project? How long do we think the three-minute fight scene with skeletons in the movie took, then? When stop motion is done with real people, what’s it called? That’s right, pixilation.

Then she sits, listening as the conversation becomes kinetic with free association. You should check out this comic book series about the Greek gods. Was Hercules a man or a god (someone checks their phone; he was the strongest of all mortals)? Hart grabs a “Wallace and Gromit” DVD to check the year and who animated it Someone floats a random question about sailors in ancient Greece.

Witschi says the animation in “Jason and the Argonauts” wasn’t that good, and Shoengold chides him: “Why do you have to be so judgemental?” He probably doesn’t realize how loud his voice gets, especially when he’s exaggerating for comedic effect. He stands and points at his classmate, who’s still trying to talk. “You’re always so judgy, man.”

His buddy laughs and continues: The actors were clearly striking a few inches away from their animated enemies. Shoenfield runs out of steam and sits back down.

The conversation lulls for a moment and Smyth suggests maybe it’s not that the animation wasn’t good, but we’re used to it being better now. For comparison, she brings up the “Mona Lisa” on the laptop screen to compare the brownish hues to how Impressionists later improved their understanding of the colors of shadows.

Someone else brings up a YouTube video of people in stop motion — pixilation! — and talks about how it was made. Toward the end of the hour-long class, the students decide next week they’ll make their own stop-motion short.

Just another school day? Sort of.

This is the first class of the week for a handful of the 11 students currently enrolled at the Bucks County Learning Cooperative. It’s a self-directed learning environment: the students decide what they want to learn about and when they’ll do so. They might be assigned homework, but it’s optional. It’s optional even to show up.

Each student meets privately with their mentor at least once a week to talk about what they’re doing, and the group gets together weekly to make decisions about upcoming projects and events. The staff also meets with the students and their families a few times a year to talk about how things are going. And, students work with community volunteers who each teach an hour a week in their field of expertise. Other than that, unless someone has the potential to hurt themselves or others, the grown-ups mostly stay out of their way.

It’s an “anchoring” for the teenagers, explained mentor Paul Scutt. “We don’t tell them what to do, we just keep them on track,” he explained before the visit. “We’re here to reignite an interest in learning.”

The group takes inspiration from the like-minded North Star School in Massachusetts, and the Bucks location in an outgrowth of the Princeton Learning Cooperative, which Scutt co-founded five years ago. Both locations take students aged 13 to 19 and run on a traditional school calendar. The tuition is on a sliding scale and the cooperatives, designated as 501(c)3 nonprofits, don’t discriminate against ability to pay.

As Princeton approached 30 students, the group opened a second location to maintain a sense of community that the teenagers could take ownership of, rather than take on more people. Now, in just its second year, and the first in a permanent location, the Bucks Cooperative is already a third of the way to capacity.

The thinking is that teenagers, even the ones who don’t do well in school and especially those who do but are bored doing it, want to learn. Given the right environment —  eliminating the compulsory aspect or negative occurrences like bullying, and empowering the students to make their own choices — they’ll thrive.

That’s how the film class became part of the curriculum. Witschi, an aspiring filmmaker wanted to explore the topic. Other kids joined in. They drew a timeline of history that stretches across a wall, since films could cover any time period, and began choosing movies from the silent era through today. In just the last few weeks they’ve created their own flipbook animations and build a zoetrope while exploring pre-film animation techniques.

And they’re allowed to wear hats and look at their phones Normal teenage stuff like fidgeting or even some friendly teasing doesn’t stop just because class is in session.

“Those are natural interactions. If I squash them, they’ll feel alienated and get off-topic. We want them to be happy in class,” explained Smyth. And, she noted, the gambit pays off.

“I’ve been surprised by the sophisticated level of discussion we’ve had,” she continued. She recalled a heated debate about “which academic discipline should be accorded the most authority when assessing pre-civilization economics: economics, anthropology or archeology?”

The students, with some guidance from Smyth, formed the question and discussed the topic themselves. “I felt like I was on a college panel,” she said.

Smyth spent years picking on those little things, like hats in class or gum chewing, while teaching everywhere from Trenton and New York to Europe and Asia. It’s exhausting and frustrating, for the students and the teachers.

She was there as the public education system leaned more and more toward testing over enrichment and education, and finally called it quits when her principal told the staff not to answer any student questions if they didn’t pertain to the lesson plans.

“We were narrowing rather than broadening the students’ experience,” she said. “That’s when I knew I had to get out.”

In a perfect world, she said, places like the Learning Cooperative would fit alongside more traditional public and private schools to offer options for every student’s learning style. Unfortunately, it’s not the direction the country, with a “test-and-punish” mentality, is headed.

“I support public education but the culture of it needs to change. We have to decide whether or not we as a society want to continue toward a model like Southeast Asia, with testing and homework ‘till 11 at night or not,” she suggested.

Clearly, Smyth is leaning toward not, just like Scutt and also Joel Hammon. A former Neshaminy and Villa Joseph Marie teacher, Hammon helped co-found Princeton and handles administrative duties for both locations. It’s a liberating environment for the teachers just much as the kids, he said, pointing to dismal statistics on teacher retention in public and even traditional private schools.

And, he noted, one of the biggest myths about school is that you need to go to one in order to get into college.

At the Cooperative, the students register as home-schooled, and the staff helps them keep records of their educational plans and accomplishments. Many universities have admissions policies for homeschooled students with or without a GED. And, of course, real-world achievements like starting a small business or getting your work published — things Princeton students have done — go a long way, too.

“No doors are closed by not going to high school,” said Hammon.

In Princeton, the Cooperative has generated plenty of success stories over the past five years. There are measurable benchmarks like the boy who started out on his phone all day reading about photography who went on to win awards for his camera work. But just as important are realizations like a girl who discovered — before spending a lot of money on college courses — that she didn’t want to be a veterinarian after working alongside one.

“We don’t force kids to do what they don’t want to do, or what they’re not good at,” explained Scutt. It’s often what regular schools do, which, if you think about it, he posited, doesn’t really make sense” “You got a D in math, so do more math.”

But, even in such a free environment, many kids end up learning many of the traditional curriculum items. Scutt, for instance, teaches math at Bucks, but not everyone takes the subject, at least not directly.

One student only wanted to learn electronics repair and was paired with a master electrician. Soon, the chalkboard in the room they were using was filled with trigonometry and calculus equations needed to complete a project. “The professor applies it to whatever they were talking about at the time, and the student could see how important it was to understand it” said Scutt.

Of course, some kids still just take math.

“That room was Aardvark,” Hart explained as we left the film class. The next room is painted blue with similar large windows and another table in the center. “We named all the rooms. This one’s The T.A.R.D.I.S.,” she continued, referencing the TV show Dr. Who and the catchphrase they believe applies to the room: “It’s bigger on the inside.”

There’s no adult here yet; This may be the first time I’ve ever seen a kid fun off to fetch the math teacher.

Scutt enters and sits at the table with three students. His soft-spoken demeanor leads the dynamic here as they quietly draw graphs. When none of them can remember last week’s homework assignment, Scutt asks what they recall from the last session. They settle on an equation, then move to a blackboard in the hall to explore it. Eventually they end up in Aardvark playing a game that uses multiplication tables.

In another room upstairs, Wyatt Kim has set up his sewing machine and is working on his Halloween costume, a Renaissance-style peasant. “I know, it’s not the usual,” he laughed.

But later, the 17-year old will be working on pieces for Pennsbury Manor, where he volunteers creating and repairing period costumes as needed. It’s his first semester at the Cooperative; he would have been a junior this year.

Kim will earn regular high school credits and take SAT prep courses to help make college an option. But without traditional school and homework taking up most of his day, the aspiring costume designer also has time to take professional sewing lessons.

“I’ve known what I wanted to do for a very long time, and being put where I couldn’t do it just felt counterproductive,” he explained. “I was always doing fine as a student, but I didn’t like what it was doing to me.”

Downstairs, Smyth is now in a private mentoring session with a student. Another, Tyler Brennan, has just arrived and taken a seat in “The Nest,” the living room area where the group meets once a week for meetings, just to hang out. The 16-year old is a professional actor, travelling regularly to New York to help workshop new plays for students among other projects.

And, that’s all on a Monday morning. At noon, the classes break. Some kids go into town to get some food, some continue working on their own projects. A few others hang back and head outside with Scutt, who sips from a coffee cup. He chats with a student, then watches, and eventually joins, a leaf fight that erupts on the front lawn.

The scene, at noon on a school day, seems to be the summation of a free approach to learning. The teens, treated as “fledgling adults,” as Smyth refers to them, rather than kids, can opt to head out for a bite, keep working, or take a break. And, if they want, the “full-fledged adults” can take one with them.

“Studies show that teenagers respond better to responsibility,” she said. It may seem to run counter to common perception, but not to Smyth’s — and Scutt’s and Hammon’s — experience: “We find that if you trust a teenager, they’ll live up to that trust.”

For information, visit www.buckslearningcooperative.org

What they don’t talk about: One family’s life with three children on the autism spectrum

14 Wednesday Jun 2017

Posted by Jack Firneno in Uncategorized

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(This article originally appeared in an August 2014 issue of the Midweek Wire newspaper)

Elizabeth and George Tolis don’t often talk about what it’s like to raise three autistic children. But when the Jamison couple is asked to, they seem even surprised themselves how much they have to say. And they’re only saying it now because they’re asking for help, even though they don’t want to.

“It’s not in our nature to complain or say how hard it is,” offered Elizabeth.

The Tolis’ 7-year-old twins Damian and Zack were diagnosed on the autism spectrum when they were in preschool. Their youngest son, 5-year-old Emmett, was diagnosed just after them. Three years with three consecutive diagnoses.

“Today, they say one out of 66 boys have autism. I have three of them,” said Elizabeth.

Emmett is the most severe, nonverbal and intellectually disabled. “His mentality is that of a 2-year-old,” noted George. But, at five years old, that mentality means he’s a danger to himself and his family.

For a while, Emmett liked to jump off his furniture. Recently, George came home from work and looked up to see his son standing on the windowsill of the third-floor room. Now the only furniture in his room is a bed and low dresser. Soon, there will be bars on his windows. In the living room just below his room, nails are coming through the ceiling.

There’s a water stain on the ceiling in the dining room. One night, George and Elizabeth woke up to splashing. Emmett was in an overflowing tub with a blow dryer and hair curler, both unplugged. Now they lock his bedroom door every night.

Due to sensory issues, Emmett refuses to eat anything that’s not bite-sized, crunchy, white or beige, and just the right consistency and temperature. He hasn’t taken food from a fork or spoon since infancy, barely drinks water and literally has never eaten a green vegetable in his life. At 5 years old, he’s anemic with chronic gastrointestinal problems and is on the verge of developing diabetes.

So the Tolises are risking what little financial security they have on a six-week food intervention program at Children’s Hospital of Philadelphia (CHOP). If it works, Emmett will allow himself to eat a much wider and more nutritious range of foods.

The treatment is covered by insurance, but Elizabeth will have to drive him there five days a week. When that’s done, she’ll continue what he’s learned at home, navigating his subtle, non-verbal cues to decipher what’s working or not. There’s an eight- to 12-month follow-through period, and she’ll have to transfer those skills to her husband.

That means paying someone else to run her business, Center Stage Dance Studio in Hatboro, for months. Since she’s the owner, whoever replaces her will need a larger salary than what she draws for herself. The twins will need a babysitter, but one who’s properly trained is more expensive.

“You can’t have the girl next door watch them,” said George. “They’ll eat her alive.”

It all adds up, and quickly. Elizabeth realized that the family, who often lives week-to-week, wouldn’t be able to afford the extra care and income loss. But, that doesn’t make soliciting support any easier.

“You don’t want to ask for yourself,” said George, the father in a family that’s raised upwards of $30,000 for groups like Autism Speaks.

The Tolises regularly held events like support nights at the Chick-Fil-A. Once, they raised $1,000 in four hours, more than the school groups that usually hold these events. But, after three diagnoses in three years, there wasn’t time anymore for fundraising events.

Now, they’re trying out Support Local Stuff, a crowdfunding website that focuses on small, local campaigns for anything from pee wee football uniforms to medical issues. It’s a site where people can read about a cause and donate any amount they wish.

The Tolis’ goal is to raise $6,000 by Sept. 23 just to cover those extra expenses so Emmett will eat something — anything — with nutritional value. But large-scale charity efforts were different than asking for their own, personal donations.

It’s an easy way to get a little from a lot of people, rather than try to pull from the same ones who’ve donated in the past. Already the Tolises are seeing pledges from strangers, and considers every post about it on social media sites as an opportunity to raise awareness.

Still, said George, “It was easier to raise money for big groups than to say it was for us.” And it’s especially awkward for a family in Jamison.

“It’s the perception. People see where we live and think, ‘Why am I gonna donate to that guy?’” he continued. “Across the street are $800,000 houses, and down the road are $2 million houses.”

But the Tolises bought a house in the less expensive part of Jamison, before any of their children were diagnosed. Though they struggle to pay their bills, Elizabeth insisted that moving into the house was the best thing that’s happened to them.

“There would be no other school district in the area, maybe with the exception of Council Rock, that would be able to take on the needs of the children to the capacity that Central Bucks could,” said Elizabeth.

It’s a true story, but it’s long and a little confusing. So they don’t talk about it. In fact, they don’t get to talk about a lot of things.

The Tolises are a married couple in a situation that produces a high divorce rate, anywhere from 50 to 80 percent, depending on the study. They’re parents who, on many days, see each other just long enough to literally high-five each other as George gets home from work and Elizabeth heads out.

George estimated he’s gained nearly 60 pounds over the last five years from “eating the same junk” the kids often consume. He’s lost many friends because he doesn’t have time for them, and no longer identifies with his buddies, even the ones with kids.

Elizabeth is a torrent of scheduling and tasks like monitoring Individualized Education Programs (IEPs)and service plans for each child, following up on doctor’s appointments and lining up counselors for in-home guided care. Before the kids were in school, she managed 40 hours of therapy over 18 therapists every week.

Recently, she fought for a private van versus a regular yellow bus to transport Emmett to school in Lansdale. But that victory brought the ongoing anxiety of putting a 5-year-old kid with no ability to express himself with a stranger on a bus for an hour-long ride.

Emmett goes to school with other developmentally disabled kids, and occasionally there aren’t people on staff. He started coming home with black eyes, bruises and scratches, and due to privacy laws the teachers weren’t allowed to tell the Tolises which kids were responsible. Elizabeth used the school’s open-door policy for a week to observe the classroom and point out to the the staff who needed more attention.

But usually they don’t talk about it.

Elizabeth learned long ago not to get into it because she’d end up talking only about learning the cues to tell if her preschooler has a dirty diaper, or how he’d regressed to always curling up his hands into fists.

“I choose not to dwell on all the difficult things,” she said.

George rarely sees his parents any more. He can’t take the frustration, he said, of hearing his mother insist that he did the same thing when he was Emmett’s age and that Emmett would just grow out of it.

“Like, really? I didn’t talk when I was 5?” said George.

But he understands the sentiment: “The word autism didn’t really exist when I was in school. I graduated in the ’80s, we had the weird kids, the special ed kids, the retarded kids.”

But mostly, they didn’t talk about it.

Many times he and his wife can’t even talk to health professionals about it. Any emergency room visit — and there are plenty of them — requires a trip to CHOP in Philadelphia. The one specialist on hand in most hospitals doesn’t catch the nuances of a kid who can’t just hold his stomach to at least indicate a gastrointestinal problem.

Once, George told an ER doctor his son was non-verbal. The doctor assured him that, under enough stress, he’d say what was wrong. “So that’s it!” said George when he recalled the conversation. “That’s it! We just cured autism. Just stress them out enough.”

He raised his voice only slightly. He discussed the challenges of raising three children on the autism spectrum with the same mild frustration the average dad expounds talking about a teenager who doesn’t clean his room and plays loud music.

And, he waited until Elizabeth wasn’t around to talk about the friction between them when he resisted the idea that there was something wrong with his Emmett. Finally, the family was at a company outing, and instead of playing with the other kids, Emmett was off on his own, just sort of swaying.

The Tolises left the event early. Soon after, Emmett was diagnosed. George and Elizabeth’s relationship improved, but the hard work began. Again. Three years, three diagnoses.

George goes to work and watches the kids at night. No hobbies, no nights out. He wouldn’t be able to leave the house if he wanted to until 11 p.m. Then he’d just need to be up again the next morning, and his wife’s such a heavy sleeper he wouldn’t relax.

Elizabeth at least has Center Stage. The studio’s homepage quickly mentions how the accomplished singer, model and actress was once on the cover of Newsweek. She doesn’t talk about it. The studio is a labor of love, she said, one that barely yields a paycheck but helps her “mentally rejuvenate” each day. What does George do to unwind?

“Drugs,” he said, absolutely facetiously.

Actually, he high-fives his wife as they pass like ships in the night.

And they don’t talk about it.

Emmett doesn’t talk about it, either. He doesn’t talk about anything. When he comes downstairs, you hear him through tinny speakers before you see him. He’s the youngest kid in a house that still has intercoms, baby gates in the doorways and plastic child safety bubbles on the door knobs.

He runs up and grabs George’s phone. It took him hours of rote training to use a simple app that helps him identify everyday objects. Later, he moves onto lining up toy cars.

“He doesn’t play with them like cars. he doesn’t say, ‘vroom vroom,’” said Elizabeth.

Soon, there’s a design where 40 or so toy cars in a line snake around the furniture. “This isn’t one of his more complex ones,” she noted.

But it’s not as simple as that. The line diverges in spots. The procession suddenly loops or turns regardless of the contours of the space available. It’s like looking at crop circles, or hieroglyphics from an ancient language to which there’s no key. There’s almost an energy emanating from the design.

And that, Elizabeth said, is part of what makes him special. “There’s something special and unique about Emmett. I’m sure I’m biased, but he just affects everyone he meets. I don’t know how he does it.”

But that abstract sense of expression is often all they get. That or a bright, genuine smile in one out of every 75 pictures the family takes of him — the one picture out of nearly 100 they show people.

But his family doesn’t talk about it. And Emmett doesn’t talk about his family.

Actually he did, once. Sunday is the only time when all five Tolises are all together. One Sunday, after months of work, Emmett managed to touch each family member’s upper arm with the backside of his hand and approximate their names verbally.

“We were in tears, it was such a big deal,” said George. Elizabeth compared her son’s accomplishment to “climbing Mount Everest.”

But Emmett regresses constantly. “The only thing that’s consistent about Emmett is that he’s not consistent,” said Elizabeth. She and George learned to appreciate the little things when they happen and not to expect them to happen again.

Professionals use rewards to help children with autism do things like identifying everyday items on flash cards. “Kind of how you’d train a dog,” Elizabeth ruefully admitted. They often use food, but she refuses that because of Emmett’s food issues.

So they have to figure out what his “thing” is at the time. For a while, it’s been traffic signs, and when he starts his food intervention they’ll let him hold a traffic sign if he eats what they put on the table for him.

People would say to just put the food in front of him. Eventually, he’ll get so hungry he’ll eat. One of the times Emmett went to the hospital, he hadn’t eaten for 36 hours.

So the Tolises will risk unpaid bills and longer hours just so someday soon their 5-year-old won’t require an IV for basic nutrition every so often. Elizabeth hopes that his cognitive skills will improve, too, with better more consistent nutrition.

But that’s an ancillary goal. If he just eats anything other than crunchy, white-to-beige-colored food that’s just the right temperature, Elizabeth and George will feel like they and their son just climbed Mount Everest.

For Damian and Zack, the Tolises have goals for them to one day live independently, manage finances and have relationships. Emmett, will always live with them. That’s all they can project right now.

“I’m happy when he puts his shoes on. I’m happy when he gets dressed by himself. I’m happy when he takes his diaper off and pees on the floor, because I know he understands that that sensation happened and he was going to pee,” said Elizabeth. She looked, just for a moment, as if she’d briefly seen the forest through the trees.

George and Elizabeth will always work, and always care, for him, every day. For now, they try every so often to carve out some time for themselves when they’re not talking about the kids or IEPs or the latest counselor who just “disappeared” because organizing care for one child on the spectrum is hard enough but with three it’s nearly impossible. All so they won’t become part of the many married couples with autism spectrum children who get divorced.

For moments like when Emmett taps them on the upper arm with the back of his hand and makes sounds that are almost their names.

For the moments, too, when they’re sitting on the couch talking about what’s on the screen of the cell phone Emmett’s holding. When he still seems oblivious to his parents — both of them, despite the high divorce rates — beaming radiant smiles at him.

But for now, it’s time for George to return to work. As he left, the twins crashed through the room.

Nearby, Emmett burst into tears. No one knows why. He doesn’t talk about it.

Elizabeth tended to the crying 5-year-old who can’t tell her what’s wrong. George will be back in a few hours for his shift, when he’ll pass his wife on her way out. Maybe they’ll high-five.

She picked up Emmett. George left silently.

They don’t talk about it.

For information on Emmett and his crowdfunding campaign, visit www.supportlocalstuff.com/oursweetboy.

“The Life I’ve Led”

11 Wednesday Jul 2012

Posted by Jack Firneno in Drumming, parenting, Uncategorized

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My grandfather was great with one-liners. Whether he was being funny, cunning or making a point, he could knock you out with one sentence. Well, two if he had to use a set-up statement. Grandpa passed of lung cancer in the summer of 2012, but a few weeks before that, on Father’s Day, he laid out the last one-liner he’d give me:

“The doctor asked if I was afraid of dying. ‘I said, why should I be afraid to die, after the life I’ve led?’”

Grandpa believed no one had lived a life quite like his. He had no regrets, no loose ends and was content to go when it was his time. No matter what he did, he could always say that he did it for the right reasons. The proof was the legacy he’d leave behind.  

His death had me thinking a lot about my own life: what I’d done so far and what I could do next, but mostly if I was doing things right. at the time, I was wrapping up my bachelor’s degree while raising two kids on my own and working as a drummer and freelance writer. While a “normal” lifestyle and while it has its advantages, enough challenges and complications arise to regulalry cast doubt on whether the whole opeation is worth it.

That Father’s Day one-liner was both poignant and poetic in its simplicity. The more I thought about it, the more I discovered. Try for yourself – but maybe you need to see an 87-year-old man say it with a huge smile on his face to really have it driven home.

I had a gig later that night, and when I began playing a wave of peace and happiness just swept through me. It spilled out of my arms, onto the drums and into the crowd. I was an unending reservoir of sheer joy. The audience noticed and even the singer mentioned on stage that I was playing on another level.

I was playing for Grandpa that night.  And, I realized, I do that a lot. The one-liner from Father’s Day wasn’t the only inspiration he’d given me. The way we’d bonded over the music when I was younger shaped my playing and personality in general.

Remember the whole swing-dancing craze that swept the nation for, oh, about a fiscal quarter back in the late nineties? Long before the Cherry Poppin’ Daddies traded ska for Sinatra, I was already schooled on the Chairman of the Board, to say nothing of the rest of the Rat Pack, Buddy Rich, Gene Krupa, Benny Goodman and Louis Prima.

My father listens to jazz so I had a nascent appreciation for the music. But learning about it from my dad is like me teaching my kids about the Beatles: I can explain the significance and convey my enjoyment, but ultimately I’m reading from the history book. I wasn’t there when it happened.

To hear Grandpa talk about big bands was something else entirely. He told me about the dances they’d go to, and play the “Sinatra for Ralphie” tapes the DJ’s used to make for him when he was a security guard at a radio station. I learned how Sammy Davis, Jr was the greatest performer who ever lived. We listened to him sing Because of You in a variety of vocal affectations as Grandpa identified each person he was imitating.

Buddy Rich was good but made a lot of noise. Gene Krupa was musical, and a showman. Did I see the movie where Krupa played with just a pair of matches, and then lit them at the end? Did I know Louis Prima, not Benny Goodman, wrote “Sing Sing Sing?”

During the late nineties, the rebel flags to fly were Rancid CD’s and checker patterns. But by the time neo-swing came into vogue I had memorized my two-LP Glen Miller vinyl set.  I was also listening to everything from Hugo Montenegro to Frank Zappa while hiding my headphones under shoulder-length hair during class.

More than musical insight, Grandpa helped give me the freedom to be myself. But he wasn’t a proto-punk, or an iconoclast, or even outspoken – even if he could take you down with a quick, gentle one-liner. Instead, he was profoundly comfortable in his own skin. His peace and happiness was contagious. You could call me a nerd all you wanted, but it didn’t matter. Grandpa knew otherwise, and he knew better than you.

In fact, all my cousins and I knew better. You wouldn’t know it by the way we dressed as teenagers, and the rap and heavy metal we communally enjoyed.  But we all knew the words to “Pepino The Italian Mouse” and could imitate the Italian-language bits in “Lazy Mary.”

My cousins and I formed strong bonds growing up with Grandpa giving those ties extra strength. He nurtured us with the melodies on his records and the Abbott and Costello videos we’d watch at his house. The stories of him sneaking into baseball games as a kid and the advice he’d give as an elder. We can speak in code made up of 60-year-old pop culture references and Grandpa’s own one-liners. And, we can speak it across three states and two decades like twins who develop their own language.

Two years before he passed, we celebrated Grandma and Grandpa’s wedding anniversary. Grandpa stood up in front of the banquet hall full of children, grandchildren and great-grandchildren. “I’d like to thank you all for coming,” he said as he surveyed the crowd. “And, look I what I started!”

Indeed.

I was in 11th grade the year before neo-swing hit.  I played in the school’s Dixieland Band, sort of the second-string jazz band. We did old standards like “Ballin’ the Jack,” “Hello Dolly,” “St. James Infirmary” and, of course, “When the Saints Go Marching In.” We played in old age homes instead of competitions and by that year I’d forced a drum solo into “Washington and Lee Swing,” performed while wearing my dad’s old newsboy-style cap. The bandleader gave me carte blanche. The old ladies loved it. A little confidence goes a long way sometimes.

Someone taped a performance from a jazz festival at our high school. My drum solo now included a gong, reflecting the 70s progressive rock I was listening to. As best I could, I threw out every lick I ever heard on Grandpa’s records. Then I incorporated ones I heard on the records and CD’s I’d stolen from my dad.  A little knowledge goes a long way.

Next up, the gong. Drumstick in my mouth.  Mallet in my hand.  Cocked eyebrow at the bandleader.  I started bashing away.  The horn players laughed – they’d seen it before. The audience cheered – they weren’t expecting it. I raised the mallet high. The cheers got louder. A little showmanship goes a long way.

The tape was brought to Grandpa’s attention. I was sitting across from him in his living room, in almost the same exact position as I would be five years ago on Father’s Day. I’d be able to see his reaction as he watched. I knew what I played didn’t sound like the records he’d given me. But, I also knew that I had done them justice as best as I could as a 16-year-old who genuinely enjoyed them. A little honesty goes a long way.

When the drum solo hit, Grandpa gave the brightest, most satisfying cackle I’d ever heard. He slapped his knee. He looked up at my father and uncles to make sure they’d also caught what he’d just seen. On the tape, I hit the gong. On the couch, I held my breath. Grandpa slapped his knee and cackled again. “Son of a bitch!” he said, with utter glee. It was probably the first time I heard him curse. I’d done it right and all I had to do was keep doing it.

Look what he started.

The week before Grandpa died, I hit a milestone, playing four shows in five days, and I was at the top of my game. My drumming was rock solid. A little confidence goes a long way.

I was playing in a party band performing rock and dance cover songs, but as far as I was concerned I swung through the whole week: I knew what I was doing, and how I wanted to do it. A little knowledge goes a long way.

I pulled out every trick I had: standing on my stool, jumping off the drums and throwing cymbals in the air. A sound guy threatened to never to put his microphones near my drums again. The audience loved it, though. A little showmanship goes a long way sometimes.

Then on Monday, I tweeted that although getting back into “Daddy mode” was a weird transition it was always welcome.  My kids greeted me with giant hugs and stories from their weekend. I told them how much I’d missed them, and shared a few stories of my own. A little honesty goes a long way.

Less than two hours later, I got the call that Grandpa had died. It was like he’d known what I was up to, even if I didn’t at the time, and waited until I had pulled it all off. But he couldn’t have, and it would be ridiculously narcissistic to think so, right?

Right?

Son of a bitch.

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